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    Haglund, Timothy Rabelais's contempt for fortune : Pantagruelism, politics, and philosophy / Timothy Haglund. - Lanham, Maryland : Lexington Books, [2019]. - 1 p. - URL: https://cat.gpntb.ru/?id=FT/ShowFT&sid=31dd21426aa29a950a389529567befe0. - Includes bibliographical references and index. - ISBN 9781498575461. - ISBN 1498575463. - Текст : электронный.
    Содержание:
    Our religion, the political state, private life -- Interpreting Rabelais pantagruelically -- Philosophers as citizens : Diogenism, Machiavellianism, Pantagruelism -- Interpreting Machiavelli pantagruelically -- Dutiful philosophy : the role of debvoir in Panurge's outlook -- Panurge versus the authorities -- Blowing bubbles, understanding nature -- Back to Diogenes : barrel and tomb.
    Рубрики:
    Literature and society -- History -- France -- 16th century.
    Social problmes in literature
    LITERARY CRITICISM / European / French
    PHILOSOPHY / General
    Political and social views
    Literature and society
    Political science -- Philosophy
    France

    Аннотация: Francois Rabelais wrote Gargantua and Pantagruel at the height of the Renaissance, when top-caliber thinkers aimed to unite the best of freshly rediscovered ancient Greco-Roman theory and practice and transform politics. Through his work, Rabelais offers his unique understanding of ancient philosophy and political thought. This book considers the role of fortune as the key to understanding Rabelais, much in the manner of contemporaries such as Machiavelli. The two could not be more different, however. Throughout his writings, Rabelais attempts to restore respect for the goddess Fortuna through a cheerful restatement of the case for the sober classical attitude toward future things. As Rabelais's headstrong character Panurge seeks counsel regarding his marriage prospects, various authorities repeatedly warn him that cuckoldry and spousal abuse await. Panurge looks foolhardy during these admonitions. Far from affirming Machiavelli's instruction, given in chapter 25 of The Prince, to beat fortune like a woman, Rabelais dramatizes Panurge learning that his future femme may beat him. Through this dramatization, Panurge begins to hear the merits of viewing fortune as an intractable part of life that must be shouldered with the proper inner disposition rather than as an object susceptible of human conquest.
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    Rabelais, François,\ о нем\

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